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rehearsals & shows

Rehearsals will take place at RAFCO Studio, 4250 Sunrise Highway, Massapequa.

Tech & Shows will be at The Merrick Theatre and Center for the Arts!

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IMPORTANT NOTE: NOT ALL ACTORS WILL BE NEEDED AT EVERY REHEARSAL

REHEARSAL DATES​​

  • Sunday, Jan 11, 2026 — 7:30–9:30

  • Monday, Jan 12, 2026 — 7:30–10:00

  • Wednesday, Jan 14, 2026 — 7:30–10:00

  • Thursday, Jan 15, 2026 — 7:30–10:00

  • Sunday, Jan 18, 2026 — 7:30–9:30

  • Monday, Jan 19, 2026 — 7:30–10:00

  • Wednesday, Jan 21, 2026 — 7:30–10:00

  • Thursday, Jan 22, 2026 — 7:30–10:00

  • Sunday, Jan 25, 2026 — 7:30–9:30

  • Monday, Jan 26, 2026 — 7:30–10:00

  • Wednesday, Jan 28, 2026 — 7:30–10:00

  • Thursday, Jan 29, 2026 — 7:30–10:00

  • Sunday, Feb 1, 2026 — 7:30–9:30

  • Monday, Feb 2, 2026 — 7:30–10:00

  • Wednesday, Feb 4, 2026 — 7:30–10:00

  • Thursday, Feb 5, 2026 — 7:30–10:00

  • Sunday, Feb 8, 2026 — 7:30–9:30

  • Monday, Feb 9, 2026 — 7:30–10:00

  • Wednesday, Feb 11, 2026 — 7:30–10:00

  • Thursday, Feb 12, 2026 — 7:30–10:00

  • Sunday, Feb 15, 2026 — 7:30–9:30

TECH REHEARSAL DATES

  • Monday, February 16, 2026 4PM-10PM

  • Tuesday, February 17, 2026 4PM-10PM

  • Wednesday, February 18, 2026 4PM-10PM

  • Thursday, February 19, 2026 4PM-10PM

SHOW DATES​

  • February 20, 2026 (TIME TBA)

  • February 22, 2026 (TIME TBA)

* Potential Show on February 21, 2026*
 

AUDITIONS & CALLBACKS

Auditions/callbacks will be in person by appointment on January 6, 2025

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Please sign up for an appointment below: 

Callbacks will take place immediately following vocal audition slots. 
IF YOU HAVE PERFORMED IN A SHOW WITH US BEFORE, 
I do not need to see you sing for an audition slot,

BUT I will need to see you at callbacks. 

If you have performed with us before and would like to attend callbacks, please complete this FORM.

WHAT TO PREPARE

For the audition portion, please prepare a 32 bar cut in the style of the show. Please bring sheet music for the accompanist.

 

For the callback portion, please prepare the following:
Pippin- Corner of the Sky, With You

Leading Player- Right Track, Glory 

Catherine- I Guess I'll Miss The Man, Kind of Woman

Berthe- No Time At All

Fastrada- Spread A Little Sunshine

Charlemagne- War Is Science

Lewis- Lines Only 

Theo- Specified Side

PLEASE NOTE: Returning actors do not need to sing a 32-bar audition cut. We’ve had the pleasure of hearing you before and are simply streamlining the audition process to save time.

SEEKING

PIPPIN – 20s – Contemporary Pop Mix/Belt to C#5: Pippin is a young prince on a deeply personal journey to find meaning, fulfillment, and his “corner of the sky.” He is intelligent, curious, and emotionally open, often torn between idealism and disillusionment. The actor must navigate wide emotional shifts—from wonder and excitement to frustration and vulnerability—while maintaining a strong connection with the audience. Requires a confident singer with excellent storytelling skills and the ability to convey inner conflict.

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LEADING PLAYER – Jazzy Alto with a Nice Belt to E5: The Leading Player is the magnetic narrator and driving force of the story, guiding Pippin—and the audience—through the theatrical “game.” Charming, seductive, playful, and ultimately manipulative, this role requires exceptional stage presence and command. The actor must balance warmth and danger, humor and menace, while maintaining control of the ensemble. Strong vocals, confident movement, and a fearless performance style are essential.

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CHARLES (KING CHARLES)- Traditional Broadway Baritone to G. One of Eddie’s Marine buddies, Bernstein is the naïve and eager member of the trio. He’s desperate to prove himself to the others but often ends up the target of their teasing. This role calls for strong comedic instincts, energy, and a solid ensemble voice that blends well in group numbers.

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LEWIS – Bari-Tenor. Lewis is Pippin’s half-brother and polar opposite—confident, smug, and completely comfortable with traditional success. He lacks Pippin’s depth but excels in charisma and entitlement. The actor should lean into comedy, arrogance, and self-assurance, creating a sharp contrast that highlights Pippin’s struggle.

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BERTHE – Character Alto to C#5- Pippin’s grandmother and one of the show’s most memorable characters. Berthe is bold, witty, unapologetically alive, and deeply wise beneath her humor. She encourages Pippin to live fully and without fear. This role requires impeccable comic timing, vocal confidence, and a commanding presence—someone who can steal the stage while delivering heartfelt truth.

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CATHERINE- Mezzo with Mix to E5. Catherine is a widowed mother who represents simplicity, honesty, and unconditional love. She offers Pippin a life grounded in real human connection rather than grandeur or spectacle. The actor must bring warmth, emotional depth, and sincerity, with the ability to deliver quiet, powerful moments that contrast the show’s theatricality.

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FASTRADA –Mezzo with Belt to F5. Lewis’s ambitious and manipulative mother. Fastrada is cunning, strategic, and always plotting to secure power for her son. A comedic villain with sharp wit and exaggerated confidence, this role requires strong character acting, vocal clarity, and excellent comedic timing.

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THEO – Catherine’s young son and a symbol of innocence, imagination, and honesty. Theo sees the world with wonder and sincerity, often grounding the story emotionally. The actor should be natural, expressive, and comfortable onstage, with clear singing and strong listening skills.

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​ENSEMBLE / PLAYERS- The Players serve as storytellers, narrators, and shifting characters throughout the show, including soldiers, nobles, townspeople, and performers within the “show-within-a-show.” Ensemble members must be strong singers, expressive actors, and confident movers, capable of precise storytelling, theatricality, and seamless transitions between roles.

* WE ARE ONLY SEEKING 6 ENSEMBLE MEMBERS WHO ARE GOING TO BE FEATURED VERY HEAVILY*

NEW YORK LOCATION
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